The parameters in Hyperspace offer extreme value ranges to give you the most flexibility possible while having the useful values tuned to the centre of the controls allowing you to find that sweet spot quickly. The GUI is also resizable and HDPI compatible, so it will fit perfectly on any screen. The super clean background disappears letting your eyes focus on the controls that matter, with colour coded zones to help you quickly find your way around the plugin. Hyperspace gives you an amazing amount of control of your reverb, with a simple to use interface. With 3 levels of randomness, you can use them to subtly change the character of your existing sound or unleash chaos to surprise and inspire you. The dice symbols are smart randomizers that dial in useful settings to give you great sounding reverbs in just one click. Including spectral noise separation, ducking, transient recovery and more these unique processors give you complete control over the shape of your reverb. Hyperspace gives you 4 extremely useful mixing tools that manipulate your reverb to fit perfectly in your mix. Too often reverb can wash out your sounds and push them back in the mix losing focus and clarity. All you have to do is simply use the pads to get a great sounding reverb that is unique to you. We used machine learning to qualify over 20 million sets of values and selected only the best. From vintage plates or classic hardware to super realistic spaces or out of this world ethereal textures.
Hyperspace allows you to easily create your own algorithms in a fast intuitive way. Hyperspace will enrich your tracks with myriads of colours. Vintage, Classic, Retro, Modern, Sci-Fi and Cosmic modes let you combine various algorithms with endless possibilities. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.Hyperspace is an algorithmic reverb allowing the user to create algorithms made up of various processors. The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Get access to gain & pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasn't designed to be turned into audio, it might still sound interesting.īeing an additive synthesizer, Harmor can resynthesize audio files as well. No human can (or even wants to) edit 500 envelopes, but editing 2d images, that we can do easily.
Because it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle. If you need one of the 2 filter units processed after the blur unit, that's no problem. Processing units can be rearranged in a semi-modular way. Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently.
You wanted more, so also featured is the multipoint envelope editor of sytrus fame, applied to over 40 parameters, in 2 independent parts. You don't just select filter types, you draw them.
Harmor is driven by a powerful additive synthesis engine. Powerful additive / subtractive synthesizer, image synthesizer and audio resynthesizer
#Fl studio harmor too large software#
Please note: All software sales are final! We are unable to accept returns or apply refunds for any software purchases.
#Fl studio harmor too large license#
This is a brand new license for Image-Line Harmor delivered via digital download.
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